These works function as preparatory drawings while remaining complete in their own right. Developed as compositional frameworks for later paintings, they establish spatial structure, directional force, and visual hierarchy, while already carrying the emotional and conceptual core of the final work. Through line, imprint, fluid mark, and layered surface, Leonov applies the same “human disease” methodology—where structure and disruption, control and release, coexist within a single field. Grids, perspectival systems, and measured divisions operate alongside gestural intrusions and material unpredictability, producing images that are both constructed and unsettled. What emerges is not a neutral plan, but a charged translation: thought and feeling articulated through spatial terms, where the initial impulse of the work—its psychological and emotional origin—is made visible with clarity, restraint, and precision.