Trip develops a non-linear and deliberately ambiguous narrative through the interplay of abstraction and figuration. Images emerge and dissolve across the surface, resisting fixed sequence and remaining open-ended, with meaning held in a state of continuous formation—at once a journey and a perceptual experience.
Inspired by a visit with the artist’s grandmother to her childhood village, the works operate less as depiction than as a loose reconstruction. Figures, landscapes, and abstract passages shift between recognition and indeterminacy, where memory is not resolved, but dispersed— fragmented, provisional, and intentionally undefined.